Release Date: July 31, 2015Writer: Mary Agnes Donoghue
Director: Mary Agnes Donoghue
Logline: Jenny Farrell has led an openly gay life - except with her conventional family. When she finally decides to start a family and marry the woman they thought was just her roommate, the small, safe world the Farrells inhabited changes forever. They are left with a simple and difficult choice - either change with it or drown. (IMDb) Comedy, 94 minutes.
Bechdel Test: Passes all 3 tests
Review
After reading this interview with writer/director Mary Agnes Donaghue, I was really looking forward to Jenny’s Wedding. Films centering around LGBT issues are unfortunately scarce and I’m always happy to see people attempting to help bridge that gap. While the effort is valiant, the finished product unfortunately doesn’t quite pay off. With mediocre performances, stiff dialogue and a blatant over usage of that Macklemore song from 2012, Jenny’s Wedding squanders its opportunity to tell an important story that is both needed and wanted in our current age of sequels, remakes and male centered action blockbusters.
This film could have benefited greatly from better chemistry between the two leads. Katherine Heigl’s Jenny and Alexis Bledel’s Kitty are so boring together that it’s easy to see why Jenny’s family had no problem believing they were just roommates. They are the beigest of beige. Too basic to even fit the categorization of basic bitches. Although the film is truly about Jenny and her family, a little more time focused solely on her relationship with Kitty may have produced a deeper level of empathy from the audience.
The combination of on-the-nose dialogue and preachy overtones makes the film seem more like a made for tv movie than an authentic discussion on coming out and being true to yourself. It just feels a little clunky, a little outdated and a little disjointed. When you add all these problems up, they equal a disappointing experience and a mediocre film.
This film could have benefited greatly from better chemistry between the two leads. Katherine Heigl’s Jenny and Alexis Bledel’s Kitty are so boring together that it’s easy to see why Jenny’s family had no problem believing they were just roommates. They are the beigest of beige. Too basic to even fit the categorization of basic bitches. Although the film is truly about Jenny and her family, a little more time focused solely on her relationship with Kitty may have produced a deeper level of empathy from the audience.
The combination of on-the-nose dialogue and preachy overtones makes the film seem more like a made for tv movie than an authentic discussion on coming out and being true to yourself. It just feels a little clunky, a little outdated and a little disjointed. When you add all these problems up, they equal a disappointing experience and a mediocre film.
Portrayal of Women: On a positive note, it’s nice to see the women in the film grow into more confident versions of themselves. Jenny escapes her state of fear and learns to stick to her guns. Her mother does the same as she lets go of a lifelong desire to fit into the cookie cutter
stereotype of a perfect family.
And then there is Jenny’s sister, Anne, who is played beautifully by Grace Gummer and is arguably the most interesting character in the film. Trapped in a horrible marriage and an unhappy life, Anne comes to the understanding that the only way to ensure your own happiness is to take action. She is consumed with this idea that happy people don’t have dead grass – something her yard has been plagued with for years. I really wanted to get on board with this, but like the rest of the film, it was too forced to actually be effective.
And then there is Jenny’s sister, Anne, who is played beautifully by Grace Gummer and is arguably the most interesting character in the film. Trapped in a horrible marriage and an unhappy life, Anne comes to the understanding that the only way to ensure your own happiness is to take action. She is consumed with this idea that happy people don’t have dead grass – something her yard has been plagued with for years. I really wanted to get on board with this, but like the rest of the film, it was too forced to actually be effective.
Sisterhood Moment: The dynamic between Jenny and Anne is almost worthy of its own film. The implied rocky history seems to be founded on jealousy and mistrust – feelings that are sometimes impossible to avoid between sisters. The moment Jenny asks Anne to be her maid of honour is sincerely sweet and shows that the bond of sisterhood is truly stronger than anything.
Rating: 1 gossiping neighbor with questionable hair choices
