Review #45 - Something Borrowed

Release Date: May 6, 2011
Writer: Jennie Snyder Urman, Emily Griffin (novel)
Director: Luke Greenfield

Logline: Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy's fiance. (IMDb)

Comedy, Romance. 112 minutes. 

Bechdel Test: Passes all 3 tests

Review

Is it just me or is Something Borrowed always playing on TV? I honestly can’t remember the last time I was scrolling through the channel guide and didn’t see it listed somewhere. This has resulted in it becoming a sort of fixture of background noise in my house. Cleaning out the fridge? I bet Something Borrowed is playing on W, I’ll put that on. Painting my nails? Something Borrowed is on TBS, the perfect companion. Need something to do while I eat an entire bag of Cool Ranch Doritos? I’ll switch over to the French network – an educational way to view Something Borrowed!

If you’re thinking that all of this leads up to a grand declaration of love for this movie, you thought wrong. I HATE this movie. So much. Why do I keep watching it? I have no idea. I just can’t say no – it’s like some kind of form of self torture.

The characters aren't likable and the dialogue is far from charming but the real reason I can't stand this movie is because why would anyone pick Dex (Colin Egglesfield) when they could have Ethan (John Krasinski)? This is just too big of a plot hole to ignore and it makes me rage every time I think about. Although I generally try to avoid judging a movie solely on a plot decision I don't agree with, I can't help myself with this one. On the other hand, Rachel (Ginnifer Goodwin) is boring as hell so her and Dex probably deserve each other.

If you're still upset about the ending of Pretty in Pink, skip this one.

Portrayal of Women: The women in this movie take on so many sterotypical traits that they become caricatures. Rachel is the modest, meek girl who lives to take care of everyone else. Darcy (Kate Hudson) is the bitchy life of the party who is too self absorbed to have any kind of depth. Claire (Ashley Williams) is the crazy single girl who will stop at nothing to get her man.

Unfortunately, these one dimensional women are also defined by their relationship to men. Their value goes up when they have a significant other which makes having/keeping a boyfriend the most important goal in their lives. Lifelong friendships are tossed aside, honesty is completely disregarded, and lying is considered an absolute essential - all in the name of finding love.

We are tricked into thinking this movie is about a woman finding her voice and fighting for what she wants. In reality, it's about women being horrible to each other while using manipulation and deceit to get what they want. And what is it that our 'hero' is rewarded with? The opportunity to pick up dry cleaning for her basic bitch boyfriend. What a dream come true.

Sisterhood Moment: I'll admit that the choreographed dance to Push It is everything I've ever believed in. It's magical. 

Rating: 1 dropped pencil

IMDb - Something Borrowed (5.9)

Wikipedia - Something Borrowed

Rotten Tomatoes - Something Borrowed  (15%)

Review #43: The Debt

Release Date: August 31st, 2011
Writer: Matthew Vaughn, Jane Goldman, and Peter Straughan
Director: John Madden

Logline: In 1965, three Mossad agents cross into East Berlin to apprehend a notorious Nazi war criminal. Thirty years later, the secrets the agents share come back to haunt them. (IMDb)
Thriller, 113 minutes
Bechdel Test: Passes all 3 tests

Review
I love a good spy movie. There aren't nearly enough of them. Give me Jason Bourne over Captain America any day.

The Debt is an American/British remake of an Israeli film. The adaptation was written by the action film duo of Matthew Vaughn and Jane Goldman (X-Men: First Class, Kickass) and spy film writer Peter Straughn (Tinker Tailor Soldier Spy.) The director John Madden has a few Oscar films under his belt, including Shakespeare in Love.

The reason I'm outlining all that information is to explain why I has such high hopes before I watched this film. When you bring together a stellar list of experienced hit-makers, you do so expecting a hit. Maybe The Debt was a success; it made it's budget back, and put Dame Helen Mirren on the poster for an action film. I'm not sure it lived up to all of my many expectations.

Sold as a tangled web of deception around a CIA operation that happened during the Cold War, The Debt has a narrative that shows what happened in the 1960's and the fallout many years later. Agent Rachel Singer, portrayed as Jessica Chastain in the 1960's and as Helen Mirren in the 1990's, was part of a three man operation to capture and bring to justice a Nazi war criminal.

Jessica Chastain and Sam Worthington in The Debt

The first half of the movie brings the audience on several spy missions that are beautifully shot and executed. There is a nail biting sequence during which the CIA operatives pose as ambulance drivers to extract their target, with the real ambulance on the way, only moments behind. Many action movies rely on technology to keep a sequence interesting, or the counting clock of a man set to watch out for the team. John Madden plays into the fear of the unknown in The Debt, reminding the audience that there is no fall back, that time is ticking and there is no way of knowing if or when the agents will be found out.

The weakness of the film, is of course the very narrative structure by which it is framed. The characters have been introduced as old men and women, so there is a bit lost in watching their younger selves in dangerous situations. We know they make it out alive. Ironically, I found the second half of the film, taking place 30 years later, to be the slowest part. While the characters are more interesting and complex, with secrets to cover up and uncertain allegiances, the action significantly drops off.

Helen Mirren in The Debt

I'm not sure I can place The Debt in the list of spy movies I really love. While there are some great scene of tense action, and gut wrenching suspense, the story itself falls off the map. With characters who swap actors, and motives that become muddled, I didn't get suspense all the way though the film.

Portrayal of Women: Before going into the movie I had a fleeting thought "how nice that they put a woman in the spy movie," for now. While she appeared to portray an important character in the trailers, I had a suspicion that her role would be undercut by some stereotypical trope.

I'm pleased to say Rachel Singer's character wasn't used as a love interest or reward, and she wasn't incompetent. She wasn't a cold, manipulative villainess either. At no point was she heroically saved by a man. Rachel Singer fought her own fights, and was the most valuable part of the CIA's mission. Her character was used for her vulnerability, and perhaps earned sympathy for being considered weaker, but I don't think that detracts from her capabilities as a woman. Her character captivated the audience, and ultimately controlled the story.

Sisterhood Moment: Rachel Singer recaps the events of the past through the book her daughter wrote about her. What a fantastic little tag to a movie about spy's, deception, and lies. Rachel Singer might be a lot of unsavory things, but she's also a mother and a hero to her child.

Rating: 3 Jason Bournes out of 5 franchises

IMDb - The Debt (6.9)
Wikipedia - The Debt
Rotten Tomatoes - The Debt (77%)

Review #34: Nanny McPhee & Nanny McPhee Returns

Release Date: January 27th, 2006 & August 20th, 2011
Writer: Emma Thompson
Director: Kirk Jones & Susanna White

Logline: Emma Thompson stars as a governess who uses magic to rein in the behavior of seven ne'er-do-well children in her charge. (Source IMDb) Family, comedy, fantasy. 97 min. & 109 min.
Bechdel Test: Both films passed all 3 tests.

Review
One part Matilda, one part Mary Poppins, and one part Willy Wonka and the Chocolate Factory and you have a recipe for Nanny McPhee. No wonder this Emma Thompson vehicle has been such a success world wide. Not being part of the generation that grew on Nanny McPhee I cannot say whether the franchise has the same staying power as those inspirational films, but I wouldn't be surprised if there were many more McPhee's to come.

The story of both films is essentially the same, but focused on different families. In both, a single parent (Colin Firth in the first, and Maggie Gyllenhaal in the second) are overrun by their out of control children. Their families and livelyhood is threatened and they are in desperate need of help. Nanny McPhee arrives in a puff of smoke announcing that

"When you need me but do not want me, then I must stay. When you want me but no longer need me, then I have to go." 

Obviously children attempt to sabotage their new nanny, but Nanny McPhee uses her magic to give them a taste of their own medicine. As the kids lie in bed faking sick to avoid their chores for the day, she makes sure they are unable to leave their beds and take the foul tasting remedy. Silly kids, tricks are for... Nanny McPhee.

Kids are going to love any movie that doesn't speak down to children, despite the morality lessons contained. The universe is bright and textured with the wacky off-kilter look of a cartoon. There's plenty silly British wit, sight and sound gags, and a kids movie staple: slapstick comedy. It's a classic kind of kids movie.

For the parents however, these films are less than desirable. Nanny McPhee is a film that will be exhausting on repeat. The linear, step-by-step story is rigidly mechanical, and there's only so many times you can laugh at barnyard animals. If you're going to put it on for the kids, leave the room and maybe have a drink or two. Adults watching this recipe for success will weep from boredom.

Portrayal of Women: Both films feature strong supporting female characters, but in different ways.

The first film features Cedric (Firth) after the unexpected death of his wife. He is distant from his kids, and has to go on a journey to connect with them. There are two maids who are women, and there is an evil future stepmother who is attempting to get Cedric's money. Cedric's Great Aunt also insists on taking one of Cedric's girls for some sort of housewife etiquette schooling. Ultimately the good woman in Cedric's life turns out to be the young maid who had been caring for the children all along.

As great as it is to see a diverse representation of women, this collection of storybook stereotypes pin women as either the virgin or the villain. I suspect Thompson followed the original book quite closely as source material.

The second film branches away from the classic roles. Instead of a single father, it's a single mother Isabel (Gyllenhaal) who's husband has gone missing in the war. She has to stand up for her family and her rights as a property owner against her less than desirable brother. The two mobsters collecting debts are women. The owner of the shop where Isabel works is played by the great Maggie Smith. I love any film that puts a twist on traditional gender roles, even if it's relatively minor. The importance of placing women in a variety of positions, like a position of power, in any children's fiction cannot be understated.

Sisterhood Moment: Maggie Gyllenhaal's scene with Ewan McGregor. Now THAT'S a fantasy for adults. Just turn that into the opening of 50 Shades of Grey. Too much?

Rating: Two annoying kids in the movie theater with a baby.

IMDb - Nanny McPhee (6.6)
IMDb - Nanny McPhee Returns (6.0)

Wikipedia - Nanny McPhee
Wikipedia - Nanny McPhee Returns

Rotten Tomatoes - Nanny McPhee (73%)

Rotten Tomatoes - Nanny McPhee Returns (76%)

Review #29: Another Earth

Release Date: January 24th, 2011
Writer: Mike Cahill, Brit Marling
Director: Mike Cahill

Logline: On the night of the discovery of a duplicate Earth in the Solar system, an ambitious young student and an accomplished composer cross paths in a tragic accident. (Source: IMDb) Drama, Sci-fi. 92min.
Bechdel Test: Passed all three tests

Review:
Here's a quick round up of what this movie is all about. Rhoda, a young student celebrates her acceptance to MIT as an aspiring astronomer. The night of her celebration a planet nearly identical to Earth is discovered close by. So close that an intoxicated Rhoda is staring at the sky instead of paying attention to the road. Rhoda crashes into the car of a young family. The movie deals with her yearning to visit and learn about Earth 2, and her ongoing battle to repent for the tragedy she caused. It's a fascinating examination of choices, repercussions, and what someone does when confronted with themselves.

This is difficult movie to sell to someone. It's vaguely sci-fi. It's quite depressing for a long stretch. It's a thinker about philosophy and morality. I won't say the cliche phrase "It's not for everyone" because that implies that because a movie is smart then a huge chunk of people won't be interested. I hope a lot of people are interested in this movie.

Ok, before we go overboard with the applause, it's not the best movie. The first half of the film drags. I'm not a fan of the heavy handed cinematography and overly melodramatic moments that come with many independent movies. There are long chunks were no one even speaks. On occasion it feels low budget, but it's mostly gritty and realistic.

I do really love this movie though. It far more character drama then sci-fi story. In fact the only time I tend to like sci-fi is when used in this context, as a story supporting allegory. Even though the movie is quite melancholy and single-minded, it illustrates a good evolution of character and changes are often shown, not spoken. For me, it works.

Brit Marling is fantastic and part of the reason why this movie works is because she's able to carry it. The image of Rhoda standing ocean side with the second Earth looming overhead as the ever present possibility of a different life beautifully represents the thematic intention of the movie.


Portrayal of Women: If this concept was placed in the hands of million dollar leading man, with broader thematic appeal then you might have Tom Cruise or Will Smith starring in the next summer blockbuster. Somehow I think having a female lead this movie gives it a quiet subtlety that might otherwise not have existed.

What's almost more important is Rhoda isn't a cliched character. She's not a character that exists in other movies. Even at the opening of the film, she's a regular high school girl. Getting into college, partying with her friends, smart, passionate, flirtatious. Those are not traits given to women in media without having them be exaggerated to the point of being the singular defining characteristic. She's a woman that isn't usually in movies because she's a regular woman.

Sisterhood Moment: I love the way news about the second Earth was presented. Rhoda isn't a special scientist or military expert, she watches the news with her parents. In one news broadcast the US governments attempts to contact the second Earth. It's a haunting scene with genuine guttural reactions from the characters. And a woman was the chosen representative. Go Earth!

Rating: 4 planets out of the solar system

IMDb - Another Earth (7.0)
Wikipedia - Another Earth
Rotten Tomatoes - Another Earth (63%)