Showing posts with label Women in Film. Show all posts
Showing posts with label Women in Film. Show all posts

Monday, April 27, 2015

Trailblazer Appreciation: Amy Schumer

Ever hear that women can't be funny? Ever hear that women can't be on late night TV? Ever hear that only certain kinds of women can be sexy?

Amy Schumer doesn't give a fuck.

This week the third season of Amy Schumer's sketch-comedy show called Inside Amy Schumer premiered on Comedy Central. Lets be honest, that in itself is an achievement worth celebrating, since the prevailing theory is that women aren't funny. Amy's comedy is provocative and pushes the limit's of what can be shown on TV.

The Inside Amy Schumer premiere included the viral sensation "Milk, Milk, Lemonade" and the epic collaboration of Julia Louie-Dreyfus, Patricia Arquette, and Tina Fey celebrating their "Last Fuckable Day." Her show takes a massive undeniable stand against the physical standards that Hollywood has set for women. A fantastic season opener to a show that often takes a critical eye to the way women are treated in society.

Amy's hilarious comedy also lead her to this year's MTV Movie Awards as the host. Between Shailene Woodley winning literally every award, and buff action movie stars standing in front of pyrotechnics instead of speaking, Amy stood out for her hysterical monologue.

Amy also wrote her first feature film called Trainwreck,  a romantic comedy that she is starring in along with SNL alum Bill Hader. The movie was directed and produced by star maker Judd Apatow. The trailer is up, and with such a funny, talented cast, it looks like it will be a hit this summer.

Are you exhausted yet? You should be. Amy Schumer has been paving the way for women in comedy, and isn't slowing down now. She's been able to take the stereotypes that hold back women, and use them to push herself forward. For her inspiring perseverance and fearless comedy, we are grateful to have such outstanding idol carving her own path. 

Thursday, February 26, 2015

In 2014 Women kept disappearing.

If you're not already familiar with the Center for the Study of Women in Television & Film from San Diego State University you should be. They do annual reports of the representation of women in front of and behind the camera.

In 2014 among the top 100 grossing movies 
Women represent 12% of the protagonists. The number of women who were represented as major characters and speaking characters were the same as last year,  both figures were about 30%. A staggering 74% of all women characters were white. 

If you further read the study there are interesting statistics regarding the decrease of female characters from their 30's to 40's compared to the increase of male characters in the same age range. There are also statistics regarding the role of women in leadership positions, whether their marital status is known, and whether they were identified via a work related role (ie, doctor, lawyer) vs a personal role (ie, mother, sister.) It's a pretty clear analysis of the ways in which women are marginalized on film.

Their study for the role of women behind the camera looked at the top 250 domestic grossing films in 2014. 
Specifically they looked at the roles of directors, writers, producers, executive producers, editors, and cinematographers.
"38% of films employed 0 or 1 woman in the roles considered. 23% of films employed 2 women, 29% employed 3 to 5 women, 7% employed 6 to 9 women, and 3% employed 10 to 14 women. In contrast, no films employed 0 or 1 man in the roles considered, and 69% employed 10 to 27 men."

A whopping 93% of films had no female director, and 79% of the films had no female writer.

The figures for women working as cinematographers or composers? Even more depressing.

Women looking to work in these industries should see these figures as empowering. Awareness can change views. These are opportunities for women to break into these new markets. It might be a challenge to find someone out of the ordinary for roles in front of and behind the camera, but we need unique voices to keep movies alive.

Some fantastic films came out this year that told the stories of women, and by women including The Hunger Games, Wild, Maleficent, Selma, Cake, Gone Girl, Camp X Ray, Obvious Child, and more. If you want more films like those, get out there and make those movies.

Monday, February 23, 2015

87th Annual Academy Awards Wrapup

The 2014 award season is finally coming to an end, and last nights ceremony seemed to show that one topic was getting ripe on the vine; Hollywood sexism.

#AskHerMore


Reese Witherspoon
The night started before the ceremony with Reese Witherspoon, nominated for her role as lead actress in Wild, demanding one thing: #AskHerMore

The last few years, women have been showing a distinct annoyance with the Red Carpet treatment. Men who walk the red carpet get asked questions about their co-stars, their upcoming projects, philanthropy, anything really, women get ask a series of condescending questions about frivolous topics, usually clothes hair, nails, shoes, etc. 

Photo posted by @ReeseWitherspoon 
❤️ this movement #AskHerMore..have you heard of it? It's meant to inspire reporters to ask creative questions on the red carpet. I love the Oscars AND fashion like many of you - & am excited to share #WhoAmIWearing later tonight. (not yet!!) But I'd also love to answer some of these Qs....And hear your suggestions?! (Share em below!) There are so many amazing, talented nominees this year..! Let's hear their stories! Spread the word. #AskHerMore #Oscars #Countdown
@ReeseWitherspoon 

Last October at the Women in Hollywood event, Jennifer Garner compared notes to her husband, Ben Affleck who both had similar press junkets scheduled on the same day. She was asked questions about making time for her family, while he was asked about models.

Elizabeth Moss showed her frustration at the Golden Globes. She was asked to use the "E! Mani Cam" where famous celebrated women are asked to walk their fingers up a miniature red carpet "like children." While many other celebrities including Jennifer Aniston and Julianne Moore, opted out, Moss received a lot of praise for showing the camera her manicure - on her middle finger. The Mani Cam did not reappear at this years Oscars.





Patricia Arquette 
Best Supporting Actress

Video Removed



Patricia Arquette
And then of course, the scene stealer herself. Patricia Arquette. She won her Oscar for Best Supporting Actress for her role in Richard Linklater's Boyhood. A fantastic movie, and a fantastic role she spend 12 years filming. With a prepared speech, she hit some major talking points during the 30 seconds or so winners are given.

“To every woman who gave birth, to every taxpayer and citizen of this nation, we have fought for everybody else’s equal rights. It’s time to have wage equality once and for all. And equal rights for women in the United States of America.”

Congratulations Patricia. Very well said.


Julianne Moore 
Best Actress

Julianne Moore
One of our favorite women, Julianne Moore was also awarded an Oscar for her work in the moving drama, Still Alice. This was her fifth time nominated and her first win. She gave a beautiful speech as well.

"There is no such thing as Best Actress as evidenced by the performances of my fellow actresses."

We're with you, Julianne. Women supporting women is what the world needs more of.



Let us know what you thought of the 2015 Academy Awards in the comments below.

Further Reading...

Thursday, July 17, 2014

Vulture: What Even Our Best Blockbusters Are Still Getting Wrong About Women


In a recent discussion about the new Dawn of the Planet of the Apes movie, I mentioned its low female representation - the reaction to this comment was, "no one cares about that."


Here is an excellent article about
why you should care about it.



"Hollywood needs to be better about this. If even a slim majority of the actors in Apes, or in Pacific Rim, or in that Episode VII photo had been women, it would have been near-revolutionary, and yet we live in a country where women make up 51 percent of the population. Why can’t movies come even close to reflecting that? Why won’t people speak up when they look at a call sheet where only one actress is listed — and why do so many talented people look at a sheet like that and think nothing of it?"

Tuesday, June 17, 2014

Review #28: Bachelorette


Release Date
: May 28, 2013
Writer: Leslye Headland
Director: Leslye Headland

Logline: Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school. (Source: IMDb)
Bechdel Test: Passed all 3 tests

Review

This movie has a special place in my heart because I credit it as one of the movies that revolutionized the way I think about women in film.  All three of the main characters in this film are unlikeable, deeply flawed and unbelievably selfish. The result is a dark and edgy but hilarious look at female friendships that exist solely due to shared history.

This movie came out when everyone was still riding the girl power high of Bridesmaids (a movie that I also love). Unfortunately, Bachelorette was repeatedly compared to Bridesmaids even though its tone and message are wildly different.  This unfair comparison is part of the reason the film is often overlooked.

Bachelorette’s vulgarity is rooted in honesty and every shocking line is justified through its speaker’s character development throughout the film.  We get a very multilayered look at what these girls are like and that insight makes the dialogue authentic and powerful.

The performances are all great, it's as if the parts were written for each actor.  Lizzy Caplan is sarcastic and ultra negative, Isla Fisher is ditzy beyond and Kirsten Dunst is terrifyingly controlling. Rebel Wilson's role is smaller but she is also wonderful as the bride whose wedding is what brings them together.

The girls' reunion is disrupted when the bride's dress gets ripped the night before the ceremony. What follows is a drug-infused all nighter of trying to fix the dress as well as the past mistakes that continue to haunt them.

Although the plot moves along quickly, the story remains grounded even as the girls’ night spins more and more out of control.  This is a film that aims to get to know each character – as their situation become increasingly unstable, their true identities become apparent.  The chaos is simply a vehicle to get to an understanding of what makes each girl tick.

The characters are despicable, the plot is chaotic and the dialogue is raw but these aspects combined produce an entertaining film with a refreshing ring of honesty.

Portrayal of Women: As previously mentioned, the three main women are not likeable. They are incredibly selfish, rude and downright mean. This is borderline revolutionary because roles like this are generally reserved for men.

It's a lot harder for audiences to accept a mean woman that it is a mean man - but in real life, women are sometimes mean. We aren't meant to like these characters, we're meant to find them interesting and try to understand where that selfishness comes from - the same way we try to empathize with Don Draper or Walter White.

Headland does a fantastic job in giving each character a backstory that explains their present behaviour. As we begin to understand them, we also begin to empathize them. We may not like them any more but we root for them anyways.  It's nice to see women get these complex roles that allow them to have much more depth than the average female character gets.

A lot of the humour stems from the bad behaviour. From Regan exploiting her experience working with sick kids so she has a good story to Gena and Katie completely ruining the rehearsal dinner, each mess up results in a perfect moment of hilarity. We love that the girls get to be the anti-heroes and they get to bring in the laughs too.

Sisterhood Moment: The scene where the girls reunite before the wedding is so full of energy and pure joy.  There's nothing as good as hugging your bestie after being apart for a long time.

Rating: 4 wedding dresses you've dreamt of since you were a little girl

IMDb - Bachelorette (5.3)
Wikipedia - Bachelorette
Rotten Tomatoes - Bachelorette (56%)

What to see this weekend


Do you want to see:

 A female lead?
-Obvious Child (Limited)
-Maleficent

Directed by a woman?
-Obvious Child (Limited)

Written or co-written by a woman?
-Obvious Child (Limited)
-Maleficent




Thursday, May 29, 2014

Review #26: Lucky Them

Release Date: April 21, 2014
Writer: Emily Wachtel
Director: Megan Griffiths

Logline: A rock journalist is assigned to track down her ex-boyfriend. (Source IMDb)
Bechdel Test: Failed. Only passed two of three tests.

Review

First things first: if you watch this movie (which you should), don’t IMDB it first.  There’s a great cameo near the end that would be best left as a surprise.

You know how sometimes you’re watching a movie and totally loving it and you pause to see where you are just hoping you’re not nearing the end? That was my experience with this film. I loved it.

Story wise, it’s pretty solid – a woman is sent to find and interview her ex-boyfriend in order to save her job at a music magazine.  Narratively, it’s not amazing – there are definitely places where it could be smoothed out and characters whose existence aren’t really justified.  In my opinion, these narrative flaws are completely smoothed over by the superb acting and engaging dialogue. 

I’m pretty sure Toni Collette is just the coolest person in the entire world.  Her character, Ellie Klug, is complex and interesting and has the best wardrobe of life.  Collette’s performance is great but Thomas Haden Church really steals the show.  He plays Charlie, an ex of Ellie’s, who decides to make a documentary of her journey to find the elusive Matthew Smith.  He manages to make a neurotic and socially awkward millionaire someone who we genuinely like and root for.  His delivery of each and every line is so perfect that I can’t imagine this role ever being played by someone else.

The beauty of this film is found in the details.  From the names of her goldfish being Kurt and Courtney to the star-shaped twinkle lights decorating her apartment, the little things are what made me want to stay in this world long after the credits rolled.

The dynamic between Collette and Church combined with the cool vibe of the Seattle background make this one of my favourite fempire movies so far.

Portrayal of Women: This film didn't pass the Bechdel. There are more than two named woman who speak to each other, but they don't talk about something besides a man. Although this is disappointing in a movie with both a female director and writer, the strength of Ellie's character helps make up for it.


Ellie is battling her past while trying to navigate her future - that ends up being messy a lot of the time. The typical 40 year old female character is married with a couple of kids and totally devoted to their relationship or trying to find a relationship. Ellie is the queen of casual dating and she has no plans of marriage or children in the foreseeable future.  She makes the mistakes that are usually reserved for male characters to make and that results in a captivating look at what else a woman's 40s can be besides caring for a family.


Sisterhood Moment: Ellie wore white to a wedding. Like what??!! How could you do that?! Anti-sisterhood.

Rating: 4 Belle and Sebastian records + a couple chunky scarves.

IMDb - Lucky Them (7.1)
Wikipedia - Lucky Them
Rotten Tomatoes - Lucky Them (92%)

Thursday, May 8, 2014

Even Less Women Working on Indie Films

Even though Fempire Movie Club has been promoting women's roles behind the camera for a whole 4 months now, it seems we still have an uphill battle.

The biggest and best source of accurate information regarding women in the film and television workplace is The Center for the Study of Women in Television and Film from San Diego State University. For over a decade they have been tracking the jobs women have in the industry. Almost every time you hear about statistics regarding the jobs women get it's usually citing one of their annual reports. In fact, you'll probably read another dozen or so articles using their statistics from us. We think they do fantastic work.

As reported by several media outlets including The Wrap (link below) The Center for the Study of Women in Television and Film released their annual report titled Independent Women: Behind-the-Scenes Employment on Festival Films in 2013-14. The report looks at the representation of women working in key roles in the top 23 film festivals in the USA.

Things are doing ok over all this year (2013-14) with the percentage of women working behind the scenes remaining at 26%, the same as last year. This number has slowly been rising from the 24% in 2008-09, but let's be honest, hovering around the 1/4 mark isn't exactly stellar to begin with.

Since our focus on this blog is particularly on writers and directors, lets analyze those roles.

The overall number of women directors is down from 29%  in 2011-12 to 23% this past year. It's interesting to note that this is a combination of narrative film and documentary film. Women directors have had much more success in documentaries accounting for 39% of docu directors in 2011-12. Shockingly, this year women account for only 28% of docu directors - a major backslide. In narrative film, women directors hold steady at an 18% representation, the same as two years ago. In 2008-09, that figure was 15%. Perhaps this is a slow climb, but it would be nice to see representation of female directors in narrative films push beyond 20%.

As for women writers, this year saw 22% overall, up 3% from 5 years ago but still a small backslide from the 2011-12 figures that showed women writers at 24% overall. Similar to the statistics of women directors, women have typically had better showing in documentaries. Two years ago, women made up 32% of docu writers, this year they only accounted for 23%

Again, similar to women directors, the number of women writers in narrative film has been slowly climbing. This year, women writers held steady at 21%, a slight rise from the 15% that was reported in 2008-09.

It might be worth noting that in all areas, women producers gained a lot of ground. Producers and executive producers are the only areas where women maintained their presence in the indie film industry. Across the board, cinematographers and editors lost ground in representation.

At the end of the day, perhaps a micro view of the film industry year to year isn't a significant source of information. Nit picking year to year may or may not reveal trends. However, it's important to realize that this is 2014 and these are pathetic numbers. Women have been involved in these very key roles behind the scenes in the film industry since the inception of cinema.

This article doesn't examine the top big budget movies, these are the indies. Certainly some of these festivals will host films made and sold to major production companies, but in general, this is where small time movie makers prove their worth. If women aren't picking up jobs here, they aren't going to get them in bigger budget productions down the line. These numbers might be small, but they are huge compared to the number of women doing these jobs for studio productions.

Whatever the barriers are that prevent women from picking up that camera and making their own movies, we need to get past it. If you have a story to tell, tell it. You may never see another women doing the job you do behind the scenes but that's no reason not to do it. Push through and inspire someone else.

The Wrap: Women Directors and Writers Lose Ground in Indie Films as Numbers Decline

Sunday, April 27, 2014

Review #22: The Other Woman

Release Date: April 25, 2014
Writer: Melissa Stack
Director: Nick Cassavetes

Logline: After discovering her boyfriend is married, Carly soon meets the wife he's been cheating on. And when yet another affair is discovered, all three women team up to plot mutual revenge on the three-timing SOB.

Bechdel Test: Embarrassingly only passes 2 out of 3 tests.

Review

To get this out of the way: I did not hate this movie. It was perfect for a quiet Saturday morning and I would totally watch again if I stumbled across it playing on TBS. Leslie Mann was great, there was an awesome closet hang out scene and I’m still obsessed with the line “Martha Stewart did prison like a boss.” I'm also ecstatic that a film with 3 female leads is doing well at the box office.

That being said, this film was a disappointment. You would think a movie with three female leads would pass the Bechdel Test with flying colours but The Other Woman only passed 2 of the 3 tests. Not one conversation was about something other than a man. Of course, you could dissect every conversation into individual sentences and give it a pass based on that - but every sentence that was about a random subject was immediately followed by one about a man. In a movie that is being marketed as a female-friendship/woman-empowerment story, that’s not good enough.

I went in thinking that this was going to be my modern day First Wives Club, instead I got a movie about one dimensional women who value personal gain above all else.  When you put the two films in comparison, it’s even more evident how much more The Other Woman could have done.

In The First Wives Club, there are entire scenes where the women never even mention a man.  They talk about things that are truly unique to their own personal journeys outside of their relationships; their careers, fear of aging and their past. They are brutally honest with each other and that vulnerability makes their friendship genuine and real. The movie begins with them together and ends with them together - at its core it’s truly a movie about their relationships with each other.

Kate Upton, Cameron Diaz and Leslie Mann
in The Other Woman
The friendships in TOW feel forced and shallow.  It's great that they all hang out and drink together but what else is holding them together besides their common experiences with Nick? The movie begins with them on separate paths and ends with them having separate successes.  One gets a career boost, one gets married, and one gets knocked up by Lady Gaga's boyfriend.  After all this female bonding, they still find their ultimate happiness in men or approval from men.


This film isn’t really a female friendship movie -it’s a typical romcom that happens to have women being friends in it. If you're just looking for a light movie with a ton of physical comedy and way too many boob shots, that's okay. If you're looking for a film that presents complex female characters and genuine friendship between women, look elsewhere. 

Portrayal of Women: It’s hard to understand why TOW failed so miserably in establishing really great female characters when FWC did exactly that more than 15 years ago with a similar premise.  Where is the progress in our romantic comedies?

We basically don’t know anything about the women in TOW except for what their relationship to Mark is.  Sure, Carly (Diaz) is a lawyer but did she struggle to get her job, does she like it, is she good at it? Kate (Mann) says she gave up her life for Mark, what does that look like? Did she have a career, did she have ambitions, what does she even do every day?  All we know about Amber is that she looks pretty not bad in a bikini. Enlightening.

They fit into the same basic stereotypes that the women of FWC did - ambitious bitch, brainless beauty, and spazzy nice girl.  Unfortunately, they don't transcend these stereotypes like the women of FWC did. Instead they play right into them until they are magically "fixed" at the end.

One thing that did really bother me is the stupidity of both Mann and Upton's characters.  The only character that gets to be smart is Diaz', and of course, her brains leave no capacity to be anything other than a bitch.  I don't want to laugh at girls being stupid anymore and I don't want to be expected to assume smart girls are bitchy either.

Sisterhood Moment: That drunken closet scene was pretty killer.  Nothing says "let's be besties" more than wine induced hair braiding.

First Wives Club
Rating: 2 mission impossible theme songs and half a great dane

I will leave you with the suggestion to check out The First Wives Club, if you haven't before.  This closing shot has more heart than The Other Woman's entire plot could even hope to have (click here).

IMDb - The Other Woman (6.5)
Wikipedia - The Other Woman
Rotten Tomatoes - The Other Woman (25%)

Friday, April 4, 2014

Review #20: Divergent

Release Date: March 21, 2014
Writer: Evan Daugherty, Vanessa Taylor, Veronica Roth (novel)
Director: Neil Burger

Logline: In a world divided by factions based on virtues, Tris learns she's Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late. (Source IMDb)
Action Adventure, 139 min.
Bechdel Test: Passed all three tests.

Review

Remember when Sarah reviewed Frozen and she mentioned that I hate cartoons? I also hate anything set before 1920 or in some kind of utopian futuristic society.  That being said, I surprisingly enjoyed Divergent.

Is it the best movie I've seen this year? No. Would I watch it again? Probably not. But it was good for a it's-Saturday-night-and-I-feel-like-I-should-leave-the-house viewing.  Plus, the main guy is super good looking and there's a multitude of female characters.

The one thing I felt this movie lacked was a genuine development of relationships.  Because it was more plot driven than character driven, I never felt any empathy for the characters.  I didn't feel like rejoicing in the celebrations or crying in the devastations, I just accepted it as it came and that was that.

The characters themselves even seemed to have this same borderline apathetic response to their surrounding situations.  Deaths were barely mourned and friendships were hardly formed. I understand that delving deeper into the emotions of the these relationships and situations would have slowed down the plot but it still means I'll rate this a bit lower than I might have otherwise.

Final thoughts: This isn't the best movie but it's fun and you should probably see it if you want to stay culturally relevant.

PS. I wish more than anything that I had Shailene's hair.

Portrayal of Women: Tris, played by Shailene Woodley, is our heroine who must save herself and her fellow Divergents from being killed. She's brave, confident and kind, but she is also sometimes unsure of herself.  What  I appreciated about her is that she was able to push past her uncertainty due to her own determination to succeed.

She definitely had support from others, but ultimately, she was saving herself instead of waiting for someone else to come to her rescue.  This is especially apparent in her relationship with Four.  They develop more of a partnership as opposed to the classic "guy saves girl" dynamic.

The supporting cast is a good balance of male and female characters.  A woman even gets to be the villain!

Sisterhood Moment: The sisterhood moment I chose is actually the absence of a classic trope. When Tris stays over at Four's and returns the next day wearing his sweater, there is absolutely no teasing or jealousy from the other girls.

I expected the other girls to slut shame her but there was absolutely none of that.  That was an unexpected but welcome surprise.

Rating: 2 pregnant Kate Winslets and a life sized poster of Theo James for my wall

IMDb - Divergent (7.6)
Wikipedia - Divergent
Rotten Tomatoes - Divergent (40%)

Saturday, March 22, 2014

Review #18: Somewhere

Somewhere

Release Date: September 3, 2010
Writer: Sofia Coppola
Director: Sofia Coppola

Logline: After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit. (Source IMDB) Drama. 97 min.
Bechdel Test: Passed all three tests. Barely.

Review
I’m generally pretty on board with slow movies where not a lot happens - that’s not the case with Somewhere. It was so slow and so boring that I spent the entire film asking stupid questions to try and distract myself from how much I hated the movie.  Questions such as:
  • Why are the synchronized pole dancers not doing a better job at being synchronized
  • Why is Johnny Marco obsessed with white Tshirts
  • How does this 11 year old kid know how to make eggs benedict??
  • Should I be embarrassed that I can’t make eggs benedict?
  • Is she ice skating to Gwen Stefani’s “Cool” because the ice rink is cold and she’s trying to be clever - or does she just love this song? 
  • Should I pause this movie to youtube that song and also google Gwen Stefani’s life history? That seems like a better way to spend this hour and a half.
  • But seriously, how do you make eggs benedict?

Every scene seemed to drag on and on until it was so uncomfortable that I was praying for the next scene to start. Some might say this was brilliantly intentional - it's supposed to show how terrible it is for Johnny to be stuck in the monotony of his awful life.  Others might suggest that since I was bored, I'm not smart enough to really get what Coppola was going for. To those people I would say: #1 I once won a Sudoku solving contest so I'm pretty smart. #2 I don't care if there is insight to be found in each painfully drawn out moment, I hated it anyway.

To be fair, I enjoyed both Stephen Dorff and Elle Fanning and their performances were great. There were even some scenes that were funny and others that were perfectly sweet. Unfortunately, the performances and handful of okay scenes were drowned out by the slow pace of the film.

There should’ve been a lot more father/daughter bonding and whole lot less of Johnny silently waiting for his plaster mask mold to set. I loved seeing the two of them watch an old Friends episode while sampling a plethora of gelato flavours.  I loved watching them play Guitar Hero while discussing family stories. I loved how they did the tea party at the bottom of the swimming pool. Why couldn't we just have had a full 97 minutes of that?

Portrayal of Women: Women mostly exist to cater to Johnny.  Wherever he goes, women throw themselves at him and he often takes advantage of this.

His daughter Cleo is smart and vivacious and she really brings a welcome refreshment of joy into Johnny's life. She's the one girl in the film that truly makes his life better instead of just adding to the ongoing misery he is always enduring.

The only reason this film passes the Bechdel is that there is short scene where one of Johnny's hookups has a brief conversation with Cleo over breakfast.  She manages to ask Cleo's age before launching right into a discussion about boys.  So it technically passes, but just barely.

Sisterhood Moment: I guess you could call the synchro pole dancing a sisterhood moment, the dancers were even real sisters - twins actually.  Like I said before, they probably should have practiced a little more before unveiling their big performance.

Rating: Negative 5 bowls of gelato and 1 black Ferrari

IMDb - Somewhere (6.4)
Wikipedia - Somewhere
Rotten Tomatoes - Somewhere (71%)